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Featuring original works of fine art photography and limited-edition prints by regional and local artists. 372 Fore Street Portland Maine 04101 207 874-8084 www.forestreetgallery.com Monhegan Morning Paul Black 11 x 14 oil Featuring original works of fine art photography and limited-edition prints by regional and local artists. 372 Fore Street Portland Maine 04101 207 874-8084 www.forestreetgallery.com Dinghy at Dusk Merchant Row K. Dana Nelson 11x14 oil ExquisitECorpsEArtspiEgElmAnFrEdstonEhousEdAnmills 12 p o r t l a n d monthly magazine Editorial Colin W. Sargent Editor Publisher The Exquisite Corpse When a Portland Magazine story is printed its life is just beginning. It lives forever in the present tense and awakens with the touch of a new reader. Digitally viewers comment on stories they encounter on our replica editions on www.portlandmonthly.com and portland- magazine.com as well as stories we post on Twitter and Facebook. In an evolving pro- cess across time a story is transfigured and in the best cases deepened by its reactions and interpretations. I think of it as an exquisite corpse. The term Exquisite Corpse or cadavre ex- quis refers to a literary parlor game invent- ed around 1924 at the old house at 54 rue de Chateau according to Andr Breton in Le Ca- davre Exquis Son Exaltationa1948catalogforashowofhisworkatLaDragonneGalerieNina Dausset in Paris. Here while sampling tonic local brews he and his circle of early Surrealists among them Marcel Duchamp Man Ray and Man Rays dark- room magician Maines Berenice Abbott would begin with a word then by turns add a new surprising word to create an as- tonishing sentence no one could have imagined alone. Real ex- amples of these first monsters in broad daylight exist which Breton recalls as having given the greatest impression of bewil- derment and never-seen Example No. 1 The completely black light lays down day and night the powerless suspension to do any good. Example No. 2 The anaemic young girl got the waxed mannequins turned red. Example No. 3 The made-up shrimp hardly enlightens some double kisses. In this spirit Id like to invite our readers to add dimension to the extending conversation of ideas we begin in our print sto- ries at Portland Magazine. Across the next four issues on Face- book well post a story from the current issue and reward the five best insights that take us to real places with real times and adventures that offer specific new material to a story in the chain of replies with free one-year subscriptions which may be gifted if you already subscribe. Then at the end of 2015 well have a drawing among the sub- scription winners for the grand prize a framed Jon Legere image of Old Orchard Beach. Why Legere Theres a guy who added to the conversation. Portland Magazine stories We light the fuse you provide the bang. A visual form of the game Exquisite Corpse Art Spiegelman Fred Stonehouse Dan Mills 1999 mixed media on paper 24 x 10 private collection Chicago.