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S e p t e m b e r 2 0 1 5 3 7 Portland after dark IllustratIonbyedkIng By Claire Z. Cramer Night Galleries Collecting fine art is not just for Mellens and Guggenheims. In Portland you might find something you loveand can affordat your neighborhood bistro. T his show has been really well re- ceived says front-of-the-house manager Katharine Hall at Lo- cal 188 on Congress Street at Longfel- low Square. She waves a hand at the res- taurant and lounges east wall. Her name is Anna OSullivan and shes sold quite a few prints already. The framed prints are charming two- or three-color portraits of web-footed shore birdsherons pelicans ducksplus the odd hen and rooster done in a style that recalls old Chinese block prints but with Maine birds. Theyre stunning and graceful priced quite accessibly between 100 and 300. French Fry Gulls is 250. Cafe-art CommerCe Local 188 has always hewn to the motto Eat Drink Art and its walls have always served as a gallery for local art. Meg Walsh a potter whos worked on and off at Local for half a dozen years curates the shows hangs them provides viewers with titles and pric- es and manages the sales details. I love the opportunity to give local art- ists a place to sell their work she says speaking for herself as well. When we sit down and order drinks we find Walshs bud vases on the restaurants many tables. These are available for sale in the retail shop at Portland Museum of Art down the street. On a subsequent visit a new exhbit has just been unveiled that is released. Chad Creightons startlingly expressive owl paint- ings preside above diners heads. He paints on salvaged pallet wood Walsh says. He sands it just enough to be able to paint it. The restaurants commitment to art in-