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THE ARTS 64 P O R T L A N D MONTHLY MAGAZINE Whats the elevator pitch T he Button Girl is a new uplifting family musical. The film narrat- ed by Kate Winslet features Dick Van Dyke Jane Seymour and Charles Shaughnessy and introduces 11-year-old Alivia Clark the Button Girl and 15-year- old Devlin Stark. The story takes place in a fictional mill town in New England in the early 1900s and follows the story of a child named Annabelle. From a young age An- nabelles mother teaches her to believe in angels and magic. After the sudden death of her parents Annabelle is left alone and bro- ken hearted but the appearance of a myste- rious angel leads her story to a triumphant and inspiring ending. Can you describe some of the key locations and how they fit into the film It was a very nice thing to be able to film lo- cally here in Maine. Some of the films piv- otal scenes were shot at Saint Anns in Ken- nebunkport and the Victoria Mansion in Portland. Since the story takes place in the early 1900s I felt lucky to find locations here in Maine that really speak to the beau- ty of that era. One of the ending scenes takes place during a Christmas Eve service which was shot at Saint Anns. The beautiful stone construction and Tiffany stained-glass win- dows added so much authenticity and char- acter to the sceneLocal set designer Cin- dy Hamilton and her team from Americana Workshop had the church dressed with Christmas decorations and Christmas trees snow covering the ground and a horse and carriage outside as well as about fifty extras filling the church in period costumes. We managed to transform the setting so it felt like you had stepped back in time. Both Jane Seymour and Charles Shaughnessy filmed at Saint Anns Church and at The Victoria Mansion. The Victoria Mansion became the setting for the home of the affluent family played by Seymour and Shaughnessy. The dcor and elegance of the Victoria Mansion has a timeless feel to it with the elaborate in- teriors of the house. For a filmmaker the Victoria Mansion was a dream but we had to make sure we stayed focused on the stor- yline when it became tempting to grab shots from so many of the gorgeous interiors. Did any of the locations inspire acting changes When filming one of the song and dance numbers with Dick Van Dyke in Los Ange- les at the Disney Golden Oak Ranch we had planned to film the song with the young girl Alivia Clark and Dick Van Dyke sitting on a park bench however upon seeing the brown- stone section of the backlot we decided to havethemreallymoveanddancethroughthe street incorporating more of the setting into thescene.Ithinkthisaddedalotmoreenergy and excitement to the song. Composer as directoris that like stepping through a mirror W hat probably helped most were two things As a composer by default I became a sound engi-