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DI DINO INTERNATIONAL FURS Reintroducing our signature Slenderella Stroller DINOFURS.COM f 343 Gorham Rd. South Portland ME 207.772.1344 Andover MA 978.470.3344 North Hampton NH 603.964.7772 Luxurious Reversible Slenderizing Available in 3 lengths and 4 colors Come try one on today N o v e m b e r 2 0 1 5 5 3 ReseaRchsouRcesLesottenPoRtLandMuseuMofaRtcataLogintRoduction1987WikiPediaentRyingeRManfoRaLbeRtottenheiMeR. fRoMtoPMaxPechsteineaRLyMoRningaRistideMaiLLoLheadofaugusteRenoiRedvaRdMunchstReetinkRageRo appeared from Germany in 1937 the year before Krystallnacht. All Or NOthiNg At All Gambling everything he fled to Switzer- land and shipped his growing art collection to Canada a stunning act of forethought. Heres where the movie of his life would follow lavishly across a landscape of fright in which he is threatened and pursued through harrowing border crossings and safehous- es Ottenheimer emigrated via Switzerland from where he dissolved his last Ger- man assets and Canada into the United States. There he worked as an entrepreneur in the iron and steel trade untilthe1950swiththeAlbotIn- dustriesinNewJersey. thAwiNg Out T he family home was in Scarsdale New York. For years and years the Impressionist paint- ings and sculptures were on ice in Canada kept in hid- ing in storage waiting until the world was safe. Finally when Albert Ottenheimer had built up a fortune a sec- ond time they were uncov- ered shipped to New York and then as the family grew to love our state to Maine. I inherited and was able to add to my fathers Im- pressionist art collection Les Otten says. My dad was born in 1886. He was 63 when I was born. He immigrated from Germany lost his for- tune but he was able to save his art the Nazis cared very little for art early on. He shipped his collection to Canada early on. The Degas Dancer statue was bought in the 1960s by my father. I was able to add to it as well. That collection is on loan to Port- land Museum of Art but it is only semiper- manent. Among priceless objects thirsty for an audience is Street in Kragero by Edvard Munch. One recurring motif in many of his compositions the stark and divisive tree in the left corner serves to pull the composition forward. This is in direct con- flict with the exaggerated perspective of the road leading to the houses. In turn the face- less group of figures in the lower right recall many of Munchs works and through as- sociation with these one can almost hear a muffled scream writes William H. Gerdts in the catalog of the 1987 PMA show the last time these objects came to light. Did Les ever dream of becoming an art- ist himself I certainly have a passion for it but as a profession its skipped me to a new generation. Im proud to say my son owns an art gallery in Palm Desert. He still lists me as consiglieri. His gallery features young emerging American artists who are being collected by many museums in the United States. Portland Museum of Arts not hav- ing a major show of the Albert Ot- ten collection while The Lady in Gold was lighting up the movie screens just deepens the mystery. We do expect several pieces to be on display in 2016 says Erin Damon Assistant Registrar at the Museum. n Clockwise from above Early Morning by Max Pech- stein Head of Auguste Renoir by Aristide Maillol Street In Kragero by Edvard Munch and Stramm Strong by Wassily Kandinsky.